The Many Inspirations of Mr. Timothongo
Howdy. California Gay with dreams to travel. 20, Gemini, and Photographer. Care to know more, just ask. C;
The Many Inspirations of Mr. Timothongo
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dogs420:

why would you ever even need that much broccoli

Lawlz. Broccoli.

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dogs420: why would you ever even need that much broccoli Lawlz. Broccoli.
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nineties
90's
90's toy
90's kid
1990
Skip it
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bloomplague:

“We’re all going to die, all of us, what a circus! That alone should make us love each other but it doesn’t. We are terrorized and flattened by trivialities, we are eaten up by nothing. ” 

-Charles Bukowski

Permalink (3,391 notes)Source: bloomplagueVia: fadingbruises
bloomplague: “We’re all going to die, all of us, what a circus! That alone should make us love each other but it doesn’t. We are terrorized and flattened by trivialities, we are eaten up by nothing. ” -Charles Bukowski
Permalink (22,886 notes)Source: teenagezooVia: fadingbruises
"The meaning of life is just to be alive. It is so plain and so obvious and so simple. And yet, everybody rushes around in a great panic as if it were necessary to achieve something beyond themselves."
Alan Watts  (via isolatedinhungerland)

I hate it when I don’t have Internet. #photoshoot #photography #photoshop #firstworldproblems #flowers #nostalgia #dreams #gay

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photoshop
flowers
gay
photography
nostalgia
firstworldproblems
photoshoot
dreams
I hate it when I don’t have Internet. #photoshoot #photography #photoshop #firstworldproblems #flowers #nostalgia #dreams #gay
Permalink (18,281 notes)Source: durnesque-esqueVia: musicequalsaddiction
This one’s for the fangirls and boys:
ZoomInfo

likeafieldmouse:

Laura Letinsky

“Much of Letinsky’s work alludes to human presence, without including any actual figures. For example, in the Morning and Melancholia (c. 1997-2001), and the I Did Not Remember I Had Forgotten (c. 2002-2004) series, Letinsky seems to document the aftermath of a sumptuous gathering or dinner party. Faded flower petals intermingle with empty glasses and crumbs of food on partially cleared tables, often covered with a white linen that bears the mark of spilled wine.

As alluded in the title Morning and Melancholia these scenes are often filled with a fresh, clear light, as though one is viewing from the perspective of the morning after, what the host failed to clean up the evening before. However, the title of the series itself is a reference to an essay by Freud, Mourning and Melancholia, which discusses the human response to loss.

The title I Did Not Remember I Had Forgotten also has a literary source; it refers to a line by St. Augustine, commenting on memory, ‘One would never say I did not remember I had forgotten.’ Letinsky responded:

‘I was thinking, No, that’s not right! Actually, I felt I had just come to this moment where I did not remember that I had forgotten, and it had to do with music. I’d gone for three years without listening to music. I would drive in the car and I would want silence, or I would listen to talk shows. Then for some reason I began listening to the radio, and some of the CDs I had around, and it was almost like drinking water after being really thirsty. I took such pleasure in it. Somehow, I did not remember that I’d forgotten to turn on the music.’”

Permalink (986 notes) Via: likeafieldmouse
likeafieldmouse: Laura Letinsky “Much of Letinsky’s work alludes to human presence, without including any actual figures. For example, in the Morning and Melancholia (c. 1997-2001), and the I Did Not Remember I Had Forgotten (c. 2002-2004) series, Letinsky seems to document the aftermath of a sumptuous gathering or dinner party. Faded flower petals intermingle with empty glasses and crumbs of food on partially cleared tables, often covered with a white linen that bears the mark of spilled wine. As alluded in the title Morning and Melancholia these scenes are often filled with a fresh, clear light, as though one is viewing from the perspective of the morning after, what the host failed to clean up the evening before. However, the title of the series itself is a reference to an essay by Freud, Mourning and Melancholia, which discusses the human response to loss. The title I Did Not Remember I Had Forgotten also has a literary source; it refers to a line by St. Augustine, commenting on memory, ‘One would never say I did not remember I had forgotten.’ Letinsky responded: ‘I was thinking, No, that’s not right! Actually, I felt I had just come to this moment where I did not remember that I had forgotten, and it had to do with music. I’d gone for three years without listening to music. I would drive in the car and I would want silence, or I would listen to talk shows. Then for some reason I began listening to the radio, and some of the CDs I had around, and it was almost like drinking water after being really thirsty. I took such pleasure in it. Somehow, I did not remember that I’d forgotten to turn on the music.’”
likeafieldmouse: Laura Letinsky “Much of Letinsky’s work alludes to human presence, without including any actual figures. For example, in the Morning and Melancholia (c. 1997-2001), and the I Did Not Remember I Had Forgotten (c. 2002-2004) series, Letinsky seems to document the aftermath of a sumptuous gathering or dinner party. Faded flower petals intermingle with empty glasses and crumbs of food on partially cleared tables, often covered with a white linen that bears the mark of spilled wine. As alluded in the title Morning and Melancholia these scenes are often filled with a fresh, clear light, as though one is viewing from the perspective of the morning after, what the host failed to clean up the evening before. However, the title of the series itself is a reference to an essay by Freud, Mourning and Melancholia, which discusses the human response to loss. The title I Did Not Remember I Had Forgotten also has a literary source; it refers to a line by St. Augustine, commenting on memory, ‘One would never say I did not remember I had forgotten.’ Letinsky responded: ‘I was thinking, No, that’s not right! Actually, I felt I had just come to this moment where I did not remember that I had forgotten, and it had to do with music. I’d gone for three years without listening to music. I would drive in the car and I would want silence, or I would listen to talk shows. Then for some reason I began listening to the radio, and some of the CDs I had around, and it was almost like drinking water after being really thirsty. I took such pleasure in it. Somehow, I did not remember that I’d forgotten to turn on the music.’”
likeafieldmouse: Laura Letinsky “Much of Letinsky’s work alludes to human presence, without including any actual figures. For example, in the Morning and Melancholia (c. 1997-2001), and the I Did Not Remember I Had Forgotten (c. 2002-2004) series, Letinsky seems to document the aftermath of a sumptuous gathering or dinner party. Faded flower petals intermingle with empty glasses and crumbs of food on partially cleared tables, often covered with a white linen that bears the mark of spilled wine. As alluded in the title Morning and Melancholia these scenes are often filled with a fresh, clear light, as though one is viewing from the perspective of the morning after, what the host failed to clean up the evening before. However, the title of the series itself is a reference to an essay by Freud, Mourning and Melancholia, which discusses the human response to loss. The title I Did Not Remember I Had Forgotten also has a literary source; it refers to a line by St. Augustine, commenting on memory, ‘One would never say I did not remember I had forgotten.’ Letinsky responded: ‘I was thinking, No, that’s not right! Actually, I felt I had just come to this moment where I did not remember that I had forgotten, and it had to do with music. I’d gone for three years without listening to music. I would drive in the car and I would want silence, or I would listen to talk shows. Then for some reason I began listening to the radio, and some of the CDs I had around, and it was almost like drinking water after being really thirsty. I took such pleasure in it. Somehow, I did not remember that I’d forgotten to turn on the music.’”
likeafieldmouse: Laura Letinsky “Much of Letinsky’s work alludes to human presence, without including any actual figures. For example, in the Morning and Melancholia (c. 1997-2001), and the I Did Not Remember I Had Forgotten (c. 2002-2004) series, Letinsky seems to document the aftermath of a sumptuous gathering or dinner party. Faded flower petals intermingle with empty glasses and crumbs of food on partially cleared tables, often covered with a white linen that bears the mark of spilled wine. As alluded in the title Morning and Melancholia these scenes are often filled with a fresh, clear light, as though one is viewing from the perspective of the morning after, what the host failed to clean up the evening before. However, the title of the series itself is a reference to an essay by Freud, Mourning and Melancholia, which discusses the human response to loss. The title I Did Not Remember I Had Forgotten also has a literary source; it refers to a line by St. Augustine, commenting on memory, ‘One would never say I did not remember I had forgotten.’ Letinsky responded: ‘I was thinking, No, that’s not right! Actually, I felt I had just come to this moment where I did not remember that I had forgotten, and it had to do with music. I’d gone for three years without listening to music. I would drive in the car and I would want silence, or I would listen to talk shows. Then for some reason I began listening to the radio, and some of the CDs I had around, and it was almost like drinking water after being really thirsty. I took such pleasure in it. Somehow, I did not remember that I’d forgotten to turn on the music.’”
likeafieldmouse: Laura Letinsky “Much of Letinsky’s work alludes to human presence, without including any actual figures. For example, in the Morning and Melancholia (c. 1997-2001), and the I Did Not Remember I Had Forgotten (c. 2002-2004) series, Letinsky seems to document the aftermath of a sumptuous gathering or dinner party. Faded flower petals intermingle with empty glasses and crumbs of food on partially cleared tables, often covered with a white linen that bears the mark of spilled wine. As alluded in the title Morning and Melancholia these scenes are often filled with a fresh, clear light, as though one is viewing from the perspective of the morning after, what the host failed to clean up the evening before. However, the title of the series itself is a reference to an essay by Freud, Mourning and Melancholia, which discusses the human response to loss. The title I Did Not Remember I Had Forgotten also has a literary source; it refers to a line by St. Augustine, commenting on memory, ‘One would never say I did not remember I had forgotten.’ Letinsky responded: ‘I was thinking, No, that’s not right! Actually, I felt I had just come to this moment where I did not remember that I had forgotten, and it had to do with music. I’d gone for three years without listening to music. I would drive in the car and I would want silence, or I would listen to talk shows. Then for some reason I began listening to the radio, and some of the CDs I had around, and it was almost like drinking water after being really thirsty. I took such pleasure in it. Somehow, I did not remember that I’d forgotten to turn on the music.’”
likeafieldmouse: Laura Letinsky “Much of Letinsky’s work alludes to human presence, without including any actual figures. For example, in the Morning and Melancholia (c. 1997-2001), and the I Did Not Remember I Had Forgotten (c. 2002-2004) series, Letinsky seems to document the aftermath of a sumptuous gathering or dinner party. Faded flower petals intermingle with empty glasses and crumbs of food on partially cleared tables, often covered with a white linen that bears the mark of spilled wine. As alluded in the title Morning and Melancholia these scenes are often filled with a fresh, clear light, as though one is viewing from the perspective of the morning after, what the host failed to clean up the evening before. However, the title of the series itself is a reference to an essay by Freud, Mourning and Melancholia, which discusses the human response to loss. The title I Did Not Remember I Had Forgotten also has a literary source; it refers to a line by St. Augustine, commenting on memory, ‘One would never say I did not remember I had forgotten.’ Letinsky responded: ‘I was thinking, No, that’s not right! Actually, I felt I had just come to this moment where I did not remember that I had forgotten, and it had to do with music. I’d gone for three years without listening to music. I would drive in the car and I would want silence, or I would listen to talk shows. Then for some reason I began listening to the radio, and some of the CDs I had around, and it was almost like drinking water after being really thirsty. I took such pleasure in it. Somehow, I did not remember that I’d forgotten to turn on the music.’”
likeafieldmouse: Laura Letinsky “Much of Letinsky’s work alludes to human presence, without including any actual figures. For example, in the Morning and Melancholia (c. 1997-2001), and the I Did Not Remember I Had Forgotten (c. 2002-2004) series, Letinsky seems to document the aftermath of a sumptuous gathering or dinner party. Faded flower petals intermingle with empty glasses and crumbs of food on partially cleared tables, often covered with a white linen that bears the mark of spilled wine. As alluded in the title Morning and Melancholia these scenes are often filled with a fresh, clear light, as though one is viewing from the perspective of the morning after, what the host failed to clean up the evening before. However, the title of the series itself is a reference to an essay by Freud, Mourning and Melancholia, which discusses the human response to loss. The title I Did Not Remember I Had Forgotten also has a literary source; it refers to a line by St. Augustine, commenting on memory, ‘One would never say I did not remember I had forgotten.’ Letinsky responded: ‘I was thinking, No, that’s not right! Actually, I felt I had just come to this moment where I did not remember that I had forgotten, and it had to do with music. I’d gone for three years without listening to music. I would drive in the car and I would want silence, or I would listen to talk shows. Then for some reason I began listening to the radio, and some of the CDs I had around, and it was almost like drinking water after being really thirsty. I took such pleasure in it. Somehow, I did not remember that I’d forgotten to turn on the music.’”
likeafieldmouse: Laura Letinsky “Much of Letinsky’s work alludes to human presence, without including any actual figures. For example, in the Morning and Melancholia (c. 1997-2001), and the I Did Not Remember I Had Forgotten (c. 2002-2004) series, Letinsky seems to document the aftermath of a sumptuous gathering or dinner party. Faded flower petals intermingle with empty glasses and crumbs of food on partially cleared tables, often covered with a white linen that bears the mark of spilled wine. As alluded in the title Morning and Melancholia these scenes are often filled with a fresh, clear light, as though one is viewing from the perspective of the morning after, what the host failed to clean up the evening before. However, the title of the series itself is a reference to an essay by Freud, Mourning and Melancholia, which discusses the human response to loss. The title I Did Not Remember I Had Forgotten also has a literary source; it refers to a line by St. Augustine, commenting on memory, ‘One would never say I did not remember I had forgotten.’ Letinsky responded: ‘I was thinking, No, that’s not right! Actually, I felt I had just come to this moment where I did not remember that I had forgotten, and it had to do with music. I’d gone for three years without listening to music. I would drive in the car and I would want silence, or I would listen to talk shows. Then for some reason I began listening to the radio, and some of the CDs I had around, and it was almost like drinking water after being really thirsty. I took such pleasure in it. Somehow, I did not remember that I’d forgotten to turn on the music.’”
likeafieldmouse: Laura Letinsky “Much of Letinsky’s work alludes to human presence, without including any actual figures. For example, in the Morning and Melancholia (c. 1997-2001), and the I Did Not Remember I Had Forgotten (c. 2002-2004) series, Letinsky seems to document the aftermath of a sumptuous gathering or dinner party. Faded flower petals intermingle with empty glasses and crumbs of food on partially cleared tables, often covered with a white linen that bears the mark of spilled wine. As alluded in the title Morning and Melancholia these scenes are often filled with a fresh, clear light, as though one is viewing from the perspective of the morning after, what the host failed to clean up the evening before. However, the title of the series itself is a reference to an essay by Freud, Mourning and Melancholia, which discusses the human response to loss. The title I Did Not Remember I Had Forgotten also has a literary source; it refers to a line by St. Augustine, commenting on memory, ‘One would never say I did not remember I had forgotten.’ Letinsky responded: ‘I was thinking, No, that’s not right! Actually, I felt I had just come to this moment where I did not remember that I had forgotten, and it had to do with music. I’d gone for three years without listening to music. I would drive in the car and I would want silence, or I would listen to talk shows. Then for some reason I began listening to the radio, and some of the CDs I had around, and it was almost like drinking water after being really thirsty. I took such pleasure in it. Somehow, I did not remember that I’d forgotten to turn on the music.’”
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: Parenting: When you do it right

elasticitymudflap:

ericaisawesome56:

farfromgotham:

Fun fact time: many of my old acquaintances still make joking comments whenever they see me wearing pink, because as a child (and honestly pretty much right up to high school) I would refuse to associate with any pink objects. 

It wasn’t because I didn’t like pink, it was because since I appeared female I was supposed to/ it was immediately assumed that I did and therefore it pissed me the ever-loving fuck off. I was ashamed to like it, which is terrible because pink is an awesome color. But when you shove it down young girls throats it gets really old, really fast. 

Give the child the fucking rainbow, and if they pick pink, it’s not because they are female and/or effeminate, it’s because they like the color pink. 

THIS.

Gosh this

Permalink (63,667 notes)Source: feminishblogVia: musicequalsaddiction
elasticitymudflap: ericaisawesome56: farfromgotham: Fun fact time: many of my old acquaintances still make joking comments whenever they see me wearing pink, because as a child (and honestly pretty much right up to high school) I would refuse to associate with any pink objects.  It wasn’t because I didn’t like pink, it was because since I appeared female I was supposed to/ it was immediately assumed that I did and therefore it pissed me the ever-loving fuck off. I was ashamed to like it, which is terrible because pink is an awesome color. But when you shove it down young girls throats it gets really old, really fast.  Give the child the fucking rainbow, and if they pick pink, it’s not because they are female and/or effeminate, it’s because they like the color pink.  THIS. Gosh this

shapeyoursmile:

havocados:

emorenita:

why aren’t these being reblogged more often?
i rather see these than “keys in hand”

Fatality

There are a few of those ‘movement series’ actually, I wouldn’t know their names but still.. Could always come in handy..

Permalink (106,120 notes)Source: gegegetitoutVia: ibreatheawesome
shapeyoursmile: havocados: emorenita: why aren’t these being reblogged more often?i rather see these than “keys in hand” Fatality There are a few of those ‘movement series’ actually, I wouldn’t know their names but still.. Could always come in handy..

chebo:

Lost in translation (at China Town)

Permalink (21 notes)Via: chebo
chebo: Lost in translation (at China Town)